PROBE DMS
This is the very first interview I am posting up and what a great way to start with my homey Probe DMS
for those that dont know him better ask somebody quick producer/dj/emcee my man does it all. This interview will make you go out and search for his music, Hey DJ Spinna played his stuff at Ceilo and introduced me to his music also is a very good friend of my boy Loer Velocity, having a chance to see him spin and host Elevation Radio..Check him out!!!
1. Describe your music and what are your influences are and what
inspires you to do what you do best?
My music revolves around 4 genres. R&B, Hip Hop, Jazz and Broken Beat. It’s an amalgamation of those types with a whole lotta 80’s influences. Mostly artists like Slave, Kashif, Jimmy Jam and Terry Lewis productions. I’m a real producers kind of producer. Nothing else out there inspires me to do music.
2. How did Spymusic come about?
Spymusic was a name my partner Solo came up with that would best describe our sound. We’re always low key. Unassuming. In the cut just like a spy, but when the spy comes out to make that kill or get that info, it’s all over before you knew what the hell happened.
3. What is Elevation Music?
Elevations is a radio show that me and my boy Ernesto Vigo do. Www.elevationsradio.com straight up broken beat bonanza.
4. Any future projects to look out for?
I’m almost done with the Spymusic LP. It’s taking so long cause I had a heart attack and a new baby girl. Plus I’m in the middle of making my solo lp Analog Fog. So y’all need to check for those.
5. Describe your name.
Probe dms. Probing crates. Looking around on ebay for weird things. I’m always probing around. Dms means do my shit. Not anyone else’s style. My own shit!! Nah meen nam sayin!!
6. What kind of music do you spin and whats your intake on digital
music now as far as DJing with Serato ?
I only play R&B, hip hop, classics ,rare groove and broken beat. I actually love Serato and Tork and all the others that work well. I like the fact that you can still be in the digital world and still use records to control the files. Its the best thing since the 1200 itself.
7. Which artists are you feeling that’s out now?
Uh, none really. Kevin Michael seems interesting. Always into the Bugz productions and heads like that. I’m more into producers than artists.
8. Any shows coming up?
We have a party called COLORS coming up in July sometime. check the myspace.com/elevationsradio for more info.
9. What is your definition of Bruk Beat?
Bruk beat is just a groovy puzzle that got dropped on the ground and put back together in a different order. It’s a fusion of styles that is not to be fucked with.
10. How do you know Joey Too Fresh
I met Joey spinnin in a strip bar. He was playing a Smurf record. I was like what the fuck. I gotta meet homeboy. Ha ha!!
http://www.myspace.com/probedmscountry
Nicole Nelch
I remember the first time I went to a Nicole Nelch party at Table 50, I was so amazed of the people she attracts and all the DJ’s she worked with from Pete Rock, DJ Scratch, DJ Evil Dee, Rich Medina, Dj Spinna, Geology, Waajeed, DJ Center, The Root Down NYC, DJ Dusk(RIP), Grandmaster Flash, J-Rocc, Peanut Butter Wolf, Bobitto, and the list goes on!! Amazing partys at Table 50 and a chance to meet the one of the sweetest party producer and she also DJ’s and does film.Someone everybody should meet in thier lifetime and experience any events she has planned in NYC or LA so here it is enjoy….
1. Name your favorite party you have organized in New York and LA.
Also what has inspired you to create these parties?
NYC: Bringing the Los Angeles Root Down to New York was longtime dream of mine and the inspiration for most of my parties. This dream was realized while I was working at Table 50. My friend, Ari Issler, introduced me to DJ Center and we both shared a love for the unpretentious, music & dancing driven vibe of the Root Down, the collective of DJs, live art, live performances. Center became the NYC Root Down resident DJ and from December 2005 – August 2006 DJ DUSK (R.I.P.) and Music Man Miles (Breakestra) flew out once a month to bring the Root Down flavor to Table 50 alongside DJs such as Afrika Bambaataa, Large Professor, Pete Rock, Grandmaster Flash, JROCC, J Boogie, NuMark, and Kool DJ Red Alert. We had artists such as James Blagden & Upendo Taylor rock live art. Crazy Legs of Rock Steady Crew was a regular and the party had a undeniable vibe. It was a joy to hear everything from hip hop to cumbia, roots, soul, jazz. This past May we brought it back for a one off with Kenny Dope. We’re not done!
LA: Hmm…I’d have to say the ArtDon’tSleep jumpoff with Diamond D. (Although I didn’t really produce many events in LA). It was a trip picking up Diamond D from the airport. Then the CDJs at the venue were whack and he ended up using my records! What?! I was bugging. I am so inspired by parties in Los Angeles. The sense of community and forward movement is powerful. I’m inspired by the music coming out of Los Angeles, The Gaslamp Killer, Pablo Like Picasso, Flying Lotus, Sound in Color, Stones Throw, some of my favorite parties are there – Root Down, Firecracker, ArtDon’tSleep, Low End Theory, The Do-Over. Los Angeles is FRESH! Also last year’s re:unite party in Baldwin Hills was the bomb!
What pops up in your head when I mention the name Table 50?
Lawdamercy! Table 50 was an incredible moment. I’m flooded with memories and I’m very grateful for my experiences there. I just remember the first time I walked in there and I was like, “Oh yeahhhhh”. The place itself was a character, nahmean?
Name 4 DJ’s you like working with?
I have more than four…The one and only DJ DUSK (R.I.P.), Large Professor, Stimulus, DJ Center, Peanut Butter Wolf, Just Blaze, JROCC, Red Alert, Waajeed, Koushik, Mahssa, Duane, Shakey, Bill Sharp, Akalepse, Expo, Lindsey. There’s a few more I’d like to work with…
4. Where did your name Saucey come from?
It was circa 1999. I was working a second job at Coffee Plantation in Tempe, Arizona. My co-worker and stromie, artist, Frankie Gonzales (www.frankgonzales.com) was washing the windows, looked at me and with tinfoil on his teeth he called me “Sssssssaucey!” (ala the scene in Wayne’s World when Wayne buys the stratocaster). I had just moved back to Arizona from Chicago and I was definitely Saucey. It stuck.
Name 5 records that make your day?
Ghostface’s “Pretty Toney” is making my day right now.
Stevie Wonder’s “Music of My Mind”
Frank Sinatra “Live at the Sands”
Slum Village “Fantastic Vol. 1”
Madlib’s Motown Stones Throw podcast
6. What film projects have you done and what’s next as far as film?
The first film I worked on was Stephen Frears “High Fidelity”. I was an extra, the only scene you can see me in is the diner scene with Lili Taylor & John Cusack. That experience affirmed/confirmed I wanted to be a filmmaker. Stephen Frears was so dope. Everyone was. I made a bunch of student films at Scottsdale Community College and NYU Tisch. Earned an Associate Producer credit on the award winning “Hip Hop Project Documentary” and worked as Nelson George’s Assistant on the HBO film “Life Support”. Right now I’m working on my own screenplay.
7. How did you get into promoting parties?
Accidentally! It’s a long story. In 1999, inspired by DJs Radar & Z-Trip, I started documenting West Coast underground hip hop parties in Arizona, Los Angeles and San Francisco. It was an incredible journey and along the way I met DJ Shadow, Cut Chemist, JROCC, NuMark, Marvski and more. While at NYU Film School I started thinking of how I could cut my footage together and tell a story. I needed an internship to graduate and saw an ad for an internship at Table 50, it seemed like my music and DJ knowledge would work well there, but I ended up interning at Turntable Lab instead. Then Table 50 came back around. I started working there around when I graduated from NYU in 2004. Turntable Lab’s Blu Jemz brought by Mark Ronson and Q-Tip to check out Table 50. I had known Q-Tip for a while and it felt right for us to start “Authentic Shit” Thursday nights at Table 50 in June 2005. I was a novice to promoting club parties. It took about a year to realize I was actually becoming a promoter.
Can you describe the difference between life in NY and life in LA?
I can get pretty claustrophobic in New York, Los Angeles, you can see the sky differently, the aesthetic beauty of the mountains, ocean, beach the weather I really dig it. New York it’s easier to be nonstop and not really be getting shit done, it’s so easy to hop on the train and make moves around the city. Los Angeles, you get to drive and pump music real loud and good in your car. You get your own space there, not rammed like on a subway fighting for your own space all the time. They are each so different but I really love both. I was bi-coastal for almost a year and it did me well. Now, I’m finding a renewed love for New York that I moved to Washington Heights. It’s fucking beautiful up here. Fort Tryon park is the shit! Uptown baby! I love my family of friends in New York and Los Angeles and feel equally comfortable in each. Lotsa love.
What is next for you????
My screenplay!
How do you know Joey Too Fresh??
The one and only great Joey Too Fresh I had the pleasure of meeting at Table 50. He came thru regularly to Leaving This Planet with Rich Medina & Bobbito, Root Down, and came around to other parties at Movida, Canal Room….Always good vibes, smiling, dancing & feelin it! Where has he been?! I haven’t seen him in a minute!
http://www.myspace.com/nicolenelch
Seed Popular
Seed and I do go way way back in DC from Freestyle Union to The Amphibians and recording Zero Degrees..Seed Popular is one of the illest emcees I know, A very good performer and once again if you dont know..you better ask somebody!!!
enjoy and check him out!!!
1. Whats been new with Seed Popular?
Maintainin’. Same life, different hustle. Being an artist (especially in NYC) it’s all about standing out from the rest and being innovative. I’ve been feeding my brain different kinds of music and ideas that will be apparent in my upcoming projects.
2. What is your intake on the Hip-Hop culture now?
I feel right now, Hip-Hop culture as a whole is going back to a grass roots phase. It definitely had a good run in the mainstream and will continue to do well but, with sales on a decline, people naturally revert to what’s comfortable. It’s good because it eliminates those who are only in it for the fame and goes back to when it was about art.
3. Any projects you’re working on at the moment?
Well, I’m still involved in the HYB Project with my crew –and that will be available soon. I’m trying to align that release with my own low-key solo project ‘Forgotten Moments’ – kind of a compilation of songs that have been buried and also new stuff with the same nostalgic feel. Nostalgia is my state of mind right now.
4. What artists are u feeing at present time?
As far as Hip Hop– definitely still a fan of Nas. Always a fan of Slum Village. On the newer tip, I dig Consequence, Lupe Fiasco, and Black Milk. Music in general- I like Imogen Heap, Esthero, Studio Apartment and I’m feelin’ that new Chrisette Michelle too – there’s so much good music out there, it’s all about keeping an open mind to discover it.
5. Redefined your style in 2007 what are people expected to hear?
Just growth mostly. When you listen to different things, have new life experiences and grow as a person, it will naturally translate in the music.
6. What is HYB
HYB is a mind set. I like it to mean Handle Your Business. But for real, that’s the name of my crew – the group formally known as Hybernation: Seedpopular, Swahili13, Cyrus, ROME, and Rub Kaiso. And can’t forget super DJ Stylus who always holds us down.
7. Do you still make beats? What do you use (equipment) to put your
production together?
I still make beats on the low and I stay vintage with the equipment. I use old Ensoniq products: EPS 16 or ASR 10 mostly. I’ve heard a lot of producers who have said “stick to what you’re comfortable with”….so, with that in mind, I don’t feel too outdated.
8. Any future collabs?
Nothing planned as yet but, there could always be surprises. I’m open to collabs too. Get at me: myspace.com/seedpopular.
9. Has life in New York changed your vision of Hip-Hop explain the
difference between here and DC hip-hop.
It didn’t completely change my vision because I knew what New York was about before moving here. The main difference between the Hip-Hop scenes in NY and DC is there was a lot of love in DC and everybody got a chance to shine. Still now, when I go back, it’s nothing but love and it really does feel like home. NY is little more grimier, rougher, lot more competitive but it definitely made me get on my grind more. People from all over the nation and the world move to NY so, it’s very diverse but also very congested.
10. How do you know joe villa?
Who? Nah, we go way back to the early 90’s when we were showin’ and provin’ at HR57 in the Freestyle Union (Shout out to Toni Blackman). But for real, real recognize real and Joe Villa was a real dude from the start and he knows EVERYBODY!
http://www.myspace.com/seedpopular
DJ KMD
I met this talented brother at Ripple for Open Turntables and the skill he showed was a mix of all the DJ’s I look up to old and new school. Just to witness someone young and killin the turntables man….You want to see a real DJ..Introducing DJ KMD..
1. Where does your name DJ KMD come from and how did you get into turntablism?
First and foremost I’d like to start this the way any true Muslim starts anything by saying, Bismillahir rahmanir raheem (In the name of Allah [God], the most beneficent, the most merciful). I’d also like to thank you Joey for giving me this opportunity and platform to express myself. May god continue to shower you with blessings and mercy in everything that you do. Now, to the question at hand.
It stands for Kut Masta Dee. My best friend DMK or Dutch Masta Killa (R.I.P) was the MC I first began to experiment with musically when I was learning how to DJ. He and I recorded a song called “Reflections” where the concept was to use words that spelled other words backwards (e.g. pots > stop) in our verses in order to challenge our rhyme skills. In writing the hook we came up with KMD as the perfect DJ name for me b/c it was his MC name spelled backwards and I was able to make it an acronym. I often have to use the longer version to differentiate from the early 1990’s hip-hop group, and enunciate the “Dee” to differentiate from one of the best DJs from NYC, CutMaster C (one of my influences). I contemplated changing my name when I got heavy into turntablism and battles and also to disperse the foresaid confusion but I decided to keep the name as an ode to my departed partner.
My dad began the laborious task of teaching my younger brother and me to DJ when I was about 11 or 12(‘93-’94). My brother actually picked it up much faster than I did. But he abandoned the practice and after about 1-2 years I had surpassed him and began DJing family events (holiday parties, bbq’s and such). I moved on to do book mobile gigs as I got older. By 16 I was trying to get a club gig. My age made it very difficult (no one wants to risk their liquor license on some 16 yr old kid DJ). A DJ at a local club decided he’d take me under his wing, DJ Jay Dee. Under Jay Dee’s tutelage I learned proper techniques of rocking a party. He also introduced me to DMC in which he showed me the first battle I had ever seen, the ‘97 DMC US Finals. I began practicing all the techniques I had seen on the tape, began collecting the tapes myself, and entered my first local battle less than a year later (at Abracadabra Pro Shop in North Babylon, Long Island, NY).
2. Whats your intake on DJ technology today the software, serato, the
use of mp3’s etc?
I consider myself very traditional but I’m actually looking into getting Serato. The technology has come around to the point that it facilitates the process of DJing better; it doesn’t make it so that anyone capable of pushing a button can DJ. It’s sorta like good running shoes for a track star. No pair of Nike’s will ever make me run like Michael Johnson. And I also haven’t seen a pair get up and win a gold medal on their own. If/when the technology gets to that point, that’s the point where I’ll begin to protest. As of now I believe it is creating more avenues for the art of turntablism to grow in and allowing it to get more places faster and with less hassle.
3. Name 5 songs you love cutting up?
Flava In Ya Ear – Craig Mack (The first song I learned to mix/cut with)
Microphone Master (Remix) – Das Efx ft. Mobb Deep (The first 12″ I bought on my own)
Real Love – Mary J. Blige (Classic)
Unbelievable – Notorious B.I.G (I love Premo beats)
Get up & Dance – Freedom (Break – used by Grandmaster Flash and the Furious Five – Freedom)
4. Who are your inspirations?
Too many to name them all, but here’s a brief cross-section in no particular order.
Old School/ Pioneers: My Dad/teacher “Grandmaster P-Ski,” Grandmaster Flash, Grand Wizard Theodore, Kool Herc, Afrikka Bambataa, Grand Master Caz, Jam Master Jay, Mix Master Ice, Grand Mixer DXT, Red Alert, Jazzy Jeff, etc.
Radio/ Club/ Show DJs: DJ Jay Dee (my mentor), My boy/partner/mentor DJ Cel (Club T-NY in NY), Kid Capri, Ralph McDaniels, Funk Master Flex, Mister Magic, Spinbad (Power 105.1 FM and Z100 FM in NY), Dr. Dre (Yo! MTV Raps), Biz Markie, etc.
Mix tape/ Producers: Marley Marl, DJ Premier, Pete Rock, DJ Scratch, Clark Kent, Evil Dee, CutMaster C, Tony Touch, Green Lantern, DJ Juice, S+S, DJ Clue, etc.
Competition/ Battle: DJ SupaDave (whom I consider to be a mentor), Invisible Scratch Piklz, Beat Junkies, X-Ecutioners (X-Men w/ Mr. Sinister), Allies, Fifth Platoon, Scratch Perverts, DJ Mousse (Morocco), DJ Static (Denmark), DJ Jay K (Switzerland), 5. Any projects you’re currently working on?
I’ve been apart of the hip-hop group, SKAM Fam since 1998 as a DJ/MC and a creative entity. We’ve got an archive of songs. We are currently working on getting the business side straight. We’d like to be distributed worldwide if possible; we just don’t want to get jerked in the process. You can check out some songs at http://www.myspace.com/skamfamusa (I’ve attached a track with me rhyming as well)
Also, courtesy of Joey 2 Fresh, I’m working on cuts for 2 tracks for the MC Flud.
I’m a perfectionist, so I’ve also been working on 4 or 5 mix tape for the last 4 or 5 years. LOL. If Cel ever gets some time I’d like to begin releasing the old school mixes we started on years ago and also a concept mix tape series called “The Best of Both Worlds” (read between the lines to figure the concept).
6. How often do you crate dig?
Shoot! My cuticles are bleeding now. J/K. Pretty much when I get some time to get my hands on something different. I’m in the process of retro-updating my library. So I go straight to the “Old School Rap, R&B and Classic Singles” sections in Rock & Soul. I actually scored a really good buy about a month ago at a yard sale: 3 crates (about 210 records) for $30. One of the LPs alone is worth more than $30, Michael Jackson’s “Thriller.” So I am still in the process of organizing and listening to all of those records.
7. Do you think of getting into beat production?
Yeah. I’m creeping my way in now. I put all kinda crazy stuff together for my group back in the day using just my on board sampler on my mixer, some break beats and 2 cassette recorders (for overdubs). I even used my little cousin’s Playskool keyboard to play out this sick melody once. (Don’t sleep on Playskool! They got sounds. LOL). I moved up to a cassette 4-track and now a digital one. I’m getting my computer situation straightened out now. I just need some software and some outboard pieces and I’ll be straight. My latest track, I did on Fruity Loops. (It’s attached in this email if you wanna post it)
I actually learned alot from the site http://tweakheadz.com/. I’d recommend it to anyone thinking about production. I’d also like to take an official course at somewhere like http://www.dubspot.com/ in Chelsea, NY where I know a couple of the instructors (Neil Armstrong and Daddy Dog of the Fifth Platoon).
8. Name one of your favorite past time battles?
It has to be the first one I ever saw, the ‘97 DMC US Finals. It was chock full of talent and I could never forget it. The competitor I saw to be the weakest is apart of one of my favorite DJ crews. I would have loved to have been there in person (It was right here in NYC). And Red Alert hosted what more could I ask for.
9. Any mix cd’s to look forward to and shows?
I always like to find a re-release of some old school classic like DJ Dirty Harry, and I get my share of true classic CD’s when my dad, uncle, or Godfather come around with a Hollywood, Luv Bug Starski, or Dr. Duss CD.
I generally look forward to releases from my favorite Mix CD DJs like Green Lantern. Or artist promos like Ludacris’ “Release Therapy”. There has to be a good DJ displaying skills on the CD. I believe that’s the whole idea of “Mix tape/CD.” Alot of the CDs out now should just be in the “Various Artists” section. No disrespect to the “Freestyles & Exclusives Only” DJs. Artists truly need you guys. I just like a mix of the 2. I think I’m gonna go listen to 1 of my Tony Touch – Power Cipher (50 Emcee’s) tapes later.
10. How do you know Joey Too Fresh???
I met Joey when he was hosting “Open turntables” at Ripple Bar in BK. The bar is around the corner from my parents’ crib (formerly my crib too). I did a pretty good set and as the saying goes, “real recognize real” and I exchanged numbers and pleasantries with Joey, Honeycutts, DJ Samir and other Ripple regulars. Hopefully we’ll be working together more in the future.
http://www.myspace.com/skamfamdj
DJ Kofi Obafemi
DJ Kofi Obafemi one of the most down to earth person you would ever know and talented in The Art of DJing and making beats.
His musical taste is amazing, knowing that brother has broaden my musical taste from Afro Beat to Brazillian music, Nu-Soul, and Hip-Hop!! Some one should give this brother some air on the radio for real. Even when he DJ’s he brings the newness to the table so read along and welcome to the world of DJ Kofi Obafemi!!!
1. What is new with DJ Kofi Obafemi? What kind of music are you
feeling at the moment?
I’ve been in need of some serious inspiration lately and recently, the opportunity came up to bounce down to ATL. Te veo Brooklyn! I’ll be down south by the end of July. I’m going to set up a little studio inside the crib that will be a definite step up from the bedroom studio I’ve been working with. Heads are MOVIN ON UP!
Groups / people that inspire me to stay progressive with my sound: 4Hero, J. Davey, Black Milk, Moody Man, Karisma, Osunlade and the selections of DJ Benji-B.
I could go on and on…
2. What are your musical influences?
I’ll keep it short and sweet by saying SOUL music. My dad was a musician from Harlem in the 60’s and 70’s playing in Latin jazz and R & B cover bands. He played bass and sax primarily. I’m a 70’s child so that should say alot! I would love to tell you that I started out playing the drums or that I studied jazz guitar for years as a kid, but actually, I played violin in school from age 8 to 13. That’s how I learned to read sheet music, which is a skill that’s escaped me since.
I also have to admit that I was into some serious pop in the 1980’s. At the same time that I was giving attention to this new “hip-hop” movement that was just bubbling up out of the boroughs of New York City, I was also equally as excited by all those British pop acts that the 1st wave of MTV exposed us to. It was an age of awakening for me, musically.
3. What is your intake on the technology DJ’s are using now to do
parties such as Serato or Ipods?
I’m primarily a vinyl head but only because I’ve been through a looong engagement period with this medium. I’ve invested a whole lot of eatin’ money to vinyl. If I could convert my records to meals, I could feed a mob of people. Now that we the dee jay have options, I refuse to hate on others that take advantage of the new technology. I bought a Dennon SN-5000 just so I have access to my own tracks when I want to put them in a mix. Feels just like a 3rd turntable. You cant press up a 12″ inch at your crib, but you can damn sure burn an mp3 in a minute or two and get the music out.
I like vinyl for selfish reasons, but I also know that in the end, the reasons wont help me feed my kids, I like the effort put into the designing of album covers. I like its size. I like the connection I can make with vinyl through touch. All that helps me to find and remember the track I want to pull next much more quickly than if it were just some mp3 file hidden away on a hard drive or on a CD-R with 50 other mp3s. When you’re chillin’ in your studio or on your couch with that stream of smoke drifting towards the ceiling and you’ve got that one record on that puts your right in the place you want to be mentally, holding that album cover in my hands and reading the liner notes completes that fantasy moment. Call me crazy!
4. What do you use to make beats? How do you describe your sound?
My set up is very simple.
As for hardware: Two 1200’s turntables, a Roland XP-80 synth & my Roland MC-909. I also have a bunch of hand held percussive instuments like maracas, panderas, and a berimbau, I have 2 congas and a djembe also taking up floor space. Combine this with Cakewalk Sonar and Reason and I’m good. Thats the entire kit.
Do I even have a sound? I dunno. I make the music that I’m feelin’. I’m not genre specific. What I can say about my music is that I like for the rhythm and melodies to be understandable – not so dark and complex that you need to be high just to enjoy the music. I also try to inspire movement of the head or of the ass. I dont make music to sit to.
One thing that urks me is this wave of producers who feel that they must intentionally make their hip-hop with the snare or clap pushed ahead to the point where it starts sounding out of time with the kick and everything else you got going on. Nah, not for me! I personally like to dance and if I cant groove to it, whats the point? Anyway, if you’re making your tracks like that, keep doing your thing and I’ll do mine. As long as there’s an audience for it then who am I to dis?
5. Do you still dig for Vinyl?
I no longer spend hours going to dark and dusty shops looking for obscure records for the collection or to sample. I just dont have the time anymore. I typically find most of my music online from checkin out i-net radio programs from every corner of the world. THAT THE NEW DIG, ya dig? When I hear a track I like, I Google whatever I know about it and do my research. I’ve been able to keep my musical selections unique this way. When you hear me spin live or one of my mixed CDs I can garauntee that you may not be familiar with much of what I’m playing…but it’ll still be funky!
6. Are you doing any collaborations or working with any artists? Who
would you like to produce for? Any projects to look forward to?
I just submitted a hip-hop remix for an Ed “Earlyman” Graves project. Edmund’s known for his 10+ years stint as the guitarist for Spacek. He’s also one of the original 3 front men for the Spacek crew. Ed’s doing his own thing now and recently dropped an EP that got some play and positive mention on Gilles Peterson’s BBC – Radio1 show, WORLDWIDE.
I’m always open to collaborate and have been known to phish myspace for prospective partners. If you’re down to get down on a beat or track, hit me up! I’m open as long as the time is there. Remember one thing too, if you’re plans is to earn money from a track, I also plan on earning money from the track. Sounds fair to me. Let’s all eat!
7. How do you feel about Hip-Hop Culture?
Despite what is being put out there right now by some of the people I look up to for their skillz, talent and longevity, Hip-hop is not dead! I know what they’re saying but if its dead, then its over and I just don’t accept that. We’ve all got a role to play in keeping its true spirit alive. I still hear dope hip-hop. Many of my boys make it themselves, but not everyones plugged into a community of producers that feed them steadily with the freshness. What’s obvious is that it’s just not easily accessible or in our face anymore like it used to be in the early – mid 90’s and prior to those times. I have to have it passed to me on-line by friends in far away places or as i said earlier, I find the most creative stuff listening to on line radio. On line radio as it exists now is every true hip-hop head’s savior. When that goes corporate and becomes over regulated as is starting to happen now, then we’ll really have something to mourn and eulogize.
If you dont want to put the energy into seeking out the good, creative sh!t then yeah, hip-hop IS dead, but dead to you. Dont settle with the commercial. Seek out what you want. Laziness never built legacies!
8. Where can people hear your mixes and production?
Myspace of course:
http://www.myspace.com/djkofiobafemi
Mixes can be streamed from my (beta) website:
http://www.djkofi.com/mixes/mixes.htm
9. What kind of venues do you like playing?
From intimate lounges to small to medium sized clubs with that good energy that the people dancing bring to it. Ain’t nothing betta than a DOPE house party tho’! Making someones living room floor bounce always blows up your head.
10. How do you know Joe Villa??
In 1998 I accidentally strolled up into his Brooklyn crib looking for someone I was meeting for the first time. I knew this person lived near by. There was a cipher going on in Joe’s spot that we could peep through the ground floor apartment window. Heads were chillin’, makin beats and I though I was in the right place cause the vibe was so open and the guy I was going to meet was also into making music. After about 30 minutes somehow my crew started talking and asking questions that revealed that we were in the wrong damn apartment!!! It was a good night though. This is how I first met Joe Villa, his brother, Fili (RIP), Trevor Goodchilde and a host of other peoples that have enriched my experience here on this earth. I’m still glad for that mis-happening to this day!
http://www.myspace.com/djkofiobafemi
DJ Samir
I look up to DJ Samir as an innovator, ask this brother about any record and he will know it off the top. He taught me alot about mixing and DJ techniques and the history of soulful house.DJ Samir rocks parties and rocks for the B-Boys and B- Girls. If you ever get a chance to hear this brother spin, the experience is like seeing Grandmaster Flash for the first time..thats how dope he is…
1. When did you start DJing and what inspired you?
This is the short version. 1981, I was inspired by the Hip-Hop classic – The Adventures of Grandmaster Flash On The Wheels Of Steel. I practiced on my Pop’s stereo when he wasn’t home. I learned how to mix on 2 Dual belt drive turntables with the knob pitch control. That wasn’t easy. 1988, I finally bought a pair of Technics 1200 turntables and officially became a DJ.
2. Name 5 records you love spinning?
1. Afrika Bambaataa & Soulsonic Force – Looking For The Perfect Beat
2. James Brown – Give It Up Or Turnit A Loose
3. Jimmy Castor Bunch – It’s Just Begun
4. Kraftwerk – Numbers
5. Ray Parker Jr & Raydio – Still In The Groove
3. What is your intake on DJ technology such as Serato and MP3’s?
I don’t like serato. It’s boring, uninspiring, sound quality isn’t as good as vinyl, can’t read the grooves, and if your laptop crash the party’s over. Then the crowd boos and the hot chick that was sweatin’ you leaves with the busboy. I understand why some people use serato: more music, no records to carry, and still able to use turntables. But I rather spin records than look up songs on a laptop. Last but not least, MP3 is not for me. Vinyl Forever!!!
4. What styles of music do you spin?
Umm…Let’s see… Deep House, Disco, Funk, Soul, Old School Rap… Oh yeah, I can’t forget Electro Country, Crunk Christian Rap and Gangsta Polka!
5. What’s your definition of a DJ?
A DJ is someone who can rock a party with great music selection, timing, and technique.
6. Who have you DJ’ed with in the past?
I will keep it short. I had the honor of spinning with Eman (Bang the Party), Ras (Hotter Than July), DJ Center and A-Ski (Walk into the Sun), M-Tri (Korova Milk Bar), Mike Music (Atlanta), DJ Julio (The Roxy), and DJ Tyrone (Frank’s Lounge).
7. Name 5 DJ’s you are feeling at the moment?
1. A-Ski
2. Center
3. Disciple
4. Ras
5. Spinna
8. What’s your intake of the Hip-Hop culture right now?
Hip-Hop is in serious trouble. The commercial rappers don’t respect or know anything about the culture. No originality, no skills, lack of creativity, the violence, and the list goes on. The culture will continue to suffer until people wake up and learn the true essence of Hip-Hop. It’s about Peace, Unity, Love and Having Fun. Not Guns!
9. What’s the most important technique in the art of DJing?
Mixing
10. How do you know Joey Too Fresh?
I met him at a record store I used to work at. Joey came in looking for Kenny G albums and I threw him out (Just Kidding). Joey is a cool cat. We just clicked on music and became good friends. Joey Too Fresh is Down By Law!
http://www.myspace.com/deejaysamir
DJ RAS
DJ Ras is my mentor in this art of DJing, For people that know him he rocks every party, He is also well respected by famous DJ’s that are out now. Everyone should experience Hotter Than July and also tune in Cyber Jams Friday night an witness or listen to his blends of soulful classics and house. Would Heinkien already sponser this guy!!! Check out the interview!!
1. How long have you been DJing and How did you get started? What inspired you the most to become a DJ?
Since 1982. Saturday Night Fever & My love for Disco.
2. Whats your inatake on the new technologies DJ’s use now for example Serato or Mp3’s?
It’s nice and convenient. You don’t have to carry huge crates, or leaf through albums in the dark. Bring on the new
technology!
3. What kind of music do you love spinning?
House and Disco.
4. What is Hotter Than July? How did you get Kiss FM involved?
Hotter Than July Bk is our outdoor concert party series that has been started by Dj Gene and myself. We feature the hot dj’s
and performers within the tri-state area. It’s a spiritual thang.
I met Barry’the Maestro’ Mason and his partner Kay~Kay indirectly through the Kiss Fm Message boards as well as through a
yahoogroups message board. They came down to our first event, and we all hit it off well. It’s been history ever since.
BTW-I’m talking to Barry on the phone NOW!
5.Where can people see and hear you in action?
http://cyberjamz.com on Friday nights from 10pm-12am.
I’m a mobile dj right now.
Check me out at Langston’s this Sunday night 7/8 (corner of Franklin Ave and Atlantic Ave, Brooklyn) and
Sputnik (corner of Dekalb ave and Taafee Place) on 7/15
6. Any projects? or mixes your working on?
Just working on HTJBK for now. That’s more than enough work!
7. What is the most important technique in DJing do you advise people who want to start DJing?
Beat match and understand your eight count.
8. Whats does DJ RAS stand for?
My initials
9. Whats your intake on the DJ culture now?
We need to get rid of most of that hip hop stuff.
10. How do you know Joey Too Fresh?
The neighborhood bar.
Xquizit of X-TV
I met X at a video press, and must say that this cat has a show that everybody needs to watch.
The interviews and videos he plays making sure that his viewers gets the latest and quality in music.
J2F gt a chance to catch up with Xquizit.
1. What is your inspiration for your show X-TV?
The actually inspiration comes from when i used to Dj, I always wanted to air a Dj competition. But now i have a further vision of what i see on television.
because you see video’s on TV and 1. they either don’t play the full video or 2. they just don’t play it at all. So i produce my show thru the vision of what i see or exspect and i know other would wanna see
2. What kind of flavor do you provide for your viewers?
The “flavor” i provide is an Xquizit mixture of many did genre’s, Because you have to dig for good music.
But mainly Hip Hop, R&B, Reggae, Soca, Calypso,Blues
3. Name your top 5 music videos.
Im so hood
Top Back
Same Girl’s
Blue Magic
The one with Swizz Beats and Nore
Not in that order and that’s just off the top of my head of currrent video’s
4. Do you direct music videos?
Yes i do. I edit, Direct, & Shoot Video mess around I may do a cameo as well
we are a full fledge Videography Company
5. Whats your intake of the state of Hip-Hop in 2008? Any artists you know we should be looking out for?
LoL, Everything is in Recession
6. Any Xquizit events coming up?
Just had a big Bday party for your truely, Photography done by Mr. 2 freash himself (i like to talk in third person)
7. Who is hosting X-TV?
We like to keep our hosting staff on their (Xquizit) A-Game
but right now we have the lovely Crystal Hosting & That Carolina Girl Mara Hosting our T.W.E Segment (This Week In Entertainment)
8. Give me the definition of Xquizit.
Giving Pleasure and Pain in the Highest Degree or Intensity…….
Original, Ginuine, One who is excessively fastidious in dress, manners, or taste
9. Where can people see X-TV and get involved?
on myspace 24/7
www.myspace.com/xquizitprod
www.xquizitproductions.com
In queens: Every Sat @ 6 pm Ch. 34
Every Sun @ 5:30 pm Ch.56
10.How do you know Joey Too Fresh?
Long Story Short
He’s a cool guy in the biz/Industry doing his thing setting up press days and he’s a Photographer who have done one of my event’s
http://www.myspace.com/xquizitprod
Ralph McDaniels
Ralph McDaniels is a Hip-Hop icon, responsible of putting on numerous artists on a show that is true to the culture Video Music Box.
I met Ralph McDaniels through the late Mark Weinstein (RIP) when I was at RNR Freelance. From hosting the shows Video Music Box and The Bridge to doing monthly events with Peter Rosenburg mixing videos live at the Knitting Factory. A must see for those that have not seen Ralph work the videos live.
Here is the J2F interview…
1. How did Video Music Box start? What was your inspiration?
VMB started in 1983..It started off with me having an idea to a show ,but the station was into it.A few month’s later they wanted to a show called Studio 31 Dance Party.I became the host and from there I created Video Music Box.The show was Hosted by VJ Ralph McDaniels and The Vid Kid aka Lionel C.Martin
2. Have you directed music videos?
Lionel C.Martin came up with an idea to start our own production company Classic Concept Productions.We did over 300 video’s,from Wu-Tang to Whitney Houston
3. Whats your intake on the new technology used to mix music videos?
I had the pleasure of hooking up with some brother’s in 2006. They wanted to take the Video Music Box experience on-line.In that process we came across the Pioneer DVJ’s and purchased them for Onfumes.com.
I have a pretty extensive video archive(Music Video’s,Live Footage and World Wide Visuals).I love the technology it allows me to flow visually and naturally without the edit.
4. Whats your thoughts on the state of Hip-Hop right now?
Hip Hop like the country is in a recession.
5. Video Music Box is on its 25th year can you tell me a favorite past time of your show?
I think some of the highlight’s are our show’s at a club called The Ark in Brooklyn(Mary J,Jay-Z,Fugees) also the Fresh Fest in 1985.
6. What kind of advise can you give other hosts and shows that want to follow your footsteps in the Hip Hop culture.
I think the key is to be true to the culture.Video Music Box is not about Ralph McDaniels.It’s about the people.
7. What artists are you listening to at the moment?
New Big Boi,Andre 3000 and Raekwon,St. Laz and Lupe Fiasco.
8. Where can people find out more about you and the shows? Website, channel, etc
We are re-launching Onfumes.com and you watch Video Music Box Saturday Night’s at 12 midnight on NYC-TV Ch.25/Cablevision Ch.22 and also The Bridge at 11pm Saturday’s.
www.myspace.com/uncleralph
9. What is the difference between your show Video Music Box and The Bridge?
Video Music Box is more like what’s going on now and The Bridge is Classic True School.
10. How do you know Joey too Fresh?
I met Joey via a good friend of mine Mark Wiensten of R&R freelance(RIP),I dig Joey’s energy and expect he will do well in life and the biz.
http://www.myspace.com/uncleralph
DJ Eddie S
DJ Eddie S!!! For those that dont know needs to experience a DJ Eddie Serious Party. You can find him at Franks Lounge or Rockin a party with DJ Herb Martin.His vibe and music he plays has everyone up and dancing. J2F got to catch up with the fresh DJ.
1. What has inspired you to be a DJ? When was the first time you knew that was your passion?
My inspiration was originally break dancing to the beats of older “kats” spinning in our neighborhood block parties in the Bronx. DJ’s like: Breakout, Kool Herc, Kaos crew. The passion hit me when I bought two copies of “Apache”/Bongo Rock” and “mixed both 12″ LP copies together to form a beat with two individual plastic turntables without a mixer!
2. What is your top 5 songs you like to rock frequently?
“Jungle Love “by Roc in Kato, “Ran Kan Kan,” Tito Puente, Pa Que Gozen- Antonio Ocasio, Gloria Muse by Blaze and “Wanna Give It Up” by Linda Cliffiord
3. What is the science behind DJing a Party?
Science? for me several. Knowing you have to perform before a crowd and I like to imagine if I was on the dancefloor! Lastly, the approach of your personal style of blending.
4. Whats your intake on the new technology for DJ’s such as Serato and the digital world of downloading music vs crate digging?
I think it is great for convenience of not having to carry 2 to 3 crates of records to gigs. I will admit, it took me a few years to accept the the technology concept of playing music.
5. Whats your definition of SERIOUS?
YOUR PASSION!
6. Name 4 DJ’s you are feeling right now
DJ Disciple, Wil Milton, Timmy Regisford and Karizma
7. What are you favorite spots to DJ?
Frank’s Lounge, the old Cavier club on Washington Avenue and of course, outdoor parties.
8. Where can people find more information about DJ Eddie S and where can they find info on the parties?
Possibly, www.myspace.com http://www.myspace.com/djeddies
9. Defined your DJ style and what kind of music do you love spinning?
Style: Strong, consistent blending to deep soulful house, some classics and funky techno tracks!
10. How do you know Joey Too Fresh
Lets see, through RAS? Wow, I can really remember that one..
http://www.myspace.com/djeddies
Elyssa Pierre
Elyssa is one of my good friends, I met in the nightlife scene of NYC, We relate because of great music and fun atmosphere, I had to interview her because I know when you see her, You would be like I have seen her before someplace and yes it would be one of the flyest parties from a
Rich Medina joint to a DJ Spinna party. She is very unique and here I introduce you to Elyssa Pierre.
1.Define your inner creativity and what inspires you?
People inspire me. Just walking down the street and seeing folks can be a source of inspiration. Children inspire me. A trip to the Metropolitan Museum always gets me fired up! Traveling is always a great source. Images of the past, looking back to go forward. Inner creativity…that’s tough…creativity to me is abstract…I can’t define it…
2. Being out in the Nightlife of NYC name some of your favorite parties.
A couple of parties I was really into have stopped or changed. Leaving this Planet has morphed into the sporadic Happy Feet. Waffles and Falafels still goes on…although I think it’s sometimes named Couscous and Apple Juice. I miss Jump n Funk but that too has morphed into the sporadic Afro-Disco. Prince vs. Michael Jackson, and Wonder-Full are always good parties. I’ve been diggin’ Disco Down at Happy Endings gettin’ my Electro on!
3. Name your top 5 favorite DJ’s
Right now: DJ’s Rich Medina, Bobbito, Spinna, Akalepse, and that guy who’s been spinning downstairs at Happy Endings on Tuesdays!
4. Being that you have been traveling a lot how was your experience?
I LOVE TRAVELING!!! I can’t stress that enough! I work, to make money, to travel preferring not to mix the two. Seeing the world, experiencing different cultures, people, and ways of life is an infinite source of inspiration for me. I was in Haiti for the first time a couple of months ago and my heart swelled with happiness. I felt at home, at peace. Well it’s always nice when you’re over Grandma’s house isn’t it? Anyway, I felt I took some of the best photos I’ve ever taken, really exploring the art form which was something I had not done in a long time. I’m counting down until my trip to Thailand where I hope to be able to further explore my photography and hopefully get into some other mediums while there.
5. What groups or artists have you been playing lately?
Lets see…right now Carl Orff’s Carmina Burana Opera is in my stereo. Kassav’ self titled record (the group that MUST be played at every Haitian wedding) is in my record player. George Michael’s Faith is right next to it, they’ve been interchanging for the past couple of days. Beastie Boys- High Plains Drifter, Ann Peeble- I’m Gonna Tear Your Playhouse Down, Brand New Heavies- I Don’t Know Why (I Love You) and Shiny Toy Guns- Le Disko have been circulating on my iPod.
6. Do you fashion design?
That is my “9-5″. I work for a womenswear company. “Fashion fades, only style remains.” – Coco Chanel
7. How is life in Brooklyn?
CAN I HAVE SOME SPACE PLEASE! Brooklyn is cool but being from Jersey I’m missing the space. It’s a double edge sword. I hate driving and in Jersey you need to drive. Brooklyn lacks space but I can get around a lot easier with the subway. No more having to leave spots at 12:50 to try to catch the last train, and no more waiting around the station ’till 6 am when I miss the last train! Brooklyn is great in the summer. There are so many events going on during the summer time and so much to choose from. I’m looking forward to that stuff!
8. What comes to mind when you hear the name Belmont Lounge?
DJ Center, DJ Samir, Your Freshness and love. I would go there by myself a lot and always received a lot of love from you crazy kids. I’ve always appreciated that.
9. Where can people find info on Elyssa and where the parties at?
You can find info on Elyssa FROM Elyssa. Last of a dying breed of non-Myspace, non-Facebook, non-whatever other pages/ sites and what nots everyone is on. One day I’ll have a lil’ something but for now, nada. You and another someone have got me thinking about it. Nicole Nelch sends out good party info, Keistar Productions, Rich Medina sends out info also. I try to check SOB’s site regularly. Going sends out good party info from time to time.
10. How do you know Joey Too Fresh?
I met Your Freshness at Belmont Lounge. I remember Samir introduced us and the rest is history 
